With St. Patrick’s Day tomorrow,
and everyone thinking green, I thought it might be interesting to think about various
colors as the inspiration for this week’s prompt.
I didn’t realize, until I did
some research for this post, that there’s a “psychology of colors.” Without getting into color psychology
too deeply, it’s generally understood that colors can trigger psychological and emotional responses.
Colors have prescribed “meanings.” Here are some that I found online:
Red—symbolizes excitement,
energy, passion, love, desire, speed, strength, power, heat, aggression,
danger, fire, blood, war, violence, all things intense and passionate.
Pink—symbolizes love and romance,
caring, tenderness, acceptance and calm.
Beige and ivory—symbolize
unification. Ivory symbolizes quiet and pleasantness. Beige symbolizes calm and
simplicity.
Yellow—signifies joy, happiness,
betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold,
philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness,
hazard and friendship.
Blue— symbolizes peace,
tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence,
conservatism, security, cleanliness, order, loyalty, sky, water, technology,
depression, appetite suppressant.
Turquoise—symbolizes calm. Teal
symbolizes sophistication. Aquamarine symbolizes water. Lighter turquoise has a
feminine appeal.
Purple—symbolizes royalty,
nobility, spirituality, ceremony, mysterious, transformation, wisdom,
enlightenment, cruelty, arrogance, mourning.
Lavender—symbolizes femininity,
grace and elegance.
Orange–symbolizes energy,
balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of
attention.
Green—symbolizes nature,
environment, healthy, good luck, renewal, youth, spring, generosity, fertility,
jealousy, inexperience, envy, misfortune, vigor.
Brown—symbolizes earth,
stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity,
and comfort.
Gray—symbolizes security,
reliability, intelligence, staid, modesty, dignity, maturity, solid,
conservative, practical, old age, sadness, boring. Silver symbolizes calm.
White—symbolizes reverence,
purity, birth, simplicity, cleanliness, peace, humility, precision, innocence,
youth, winter, snow, good, sterility, marriage (Western cultures), death
(Eastern cultures), cold, clinical.
Black— symbolizes power,
sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil,
unhappiness, depth, style, evil, sadness, remorse, anger, anonymity,
underground, good technical color, mourning, death (Western cultures).
This week, choose a color and write a poem in which that
color plays a role. In other words, don’t write about the color itself but,
rather, use the color to help you develop a theme, mood, or narrative.
Things to Think
About:
1. What mood does the color you chose suggest?
2. What emotions or feelings do you want your color to
trigger?
3. What things in the natural world (or natural occurrences) do you associate with particular colors (i.e., a peaceful spring day, an
autumn afternoon, winter, summer heat, a hurricane, a windy day or night)?
4. What colors do you associate with foods?
5. What colors do you connect to particular times in your
life?
6. How do certain colors affect your moods?
7. Color harmony is a dynamic equilibrium—what color or
colors do you associate with harmony in your life?
8. Does a particular hair color trigger a memory for you
(your own hair color, coloring your hair, another person’s hair color—this one
has potential for a humorous slant)?
9. Has the color of a room remained in your memory for any
particular reason?
10. What’s your
favorite color to wear, paint your walls, choose for your car or the exterior
of your home?
Tips:
1. Be creative with this! Remember, don’t just write about a color! Include your chosen color
in your poem in a unique way.
2. IMPORTANT: this week focus on adjectives and limited use of them. Adjectives
can be your poem’s biggest enemy! Here’s what some great authors have written
about adjectives:
- “When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them—then the rest will be valuable. They weaken when close together. They give strength when they are wide apart.” (Mark Twain)
- “Use no superfluous word, no adjective, which does not reveal something.” (Ezra Pound)
- “The adjective has not been built that can pull a weak or inaccurate noun out of a tight place.” (E. B. White)
- “Most adjectives are also unnecessary. Like adverbs, they are sprinkled into sentences by writers who don’t stop to think that the concept is already in the noun.” (William Zissner)
Examples:
