Don’t let this prompt’s title
mislead you! We’re not going to write poems in which we tell fibs. Nope! This
week we’re going to work with Fibonacci poems.
Math has never been my strong suit (I even failed geometry in high
school, and I can only count on my fingers), but some time ago, I was introduced to a
form of poetry based on the Fibonacci numbers sequence that appeals to me
despite it math-based origins.
To introduce you to the form,
I’m going to quote from a definition provided by The Fib Review’s editor,
distinguished poet Mary-Jane Grandinetti.
"The Fibonacci poem is a poetry form
based on the structure of the Fibonacci number sequence. For those unfamiliar
with the Fibonacci Sequence, it is a mathematical sequence in which every
figure is the sum of the two preceding it. Thus, you begin with 1 and the
sequence follows as such: 1+1=2; then in turn 1+2=3; then 2+3=5; then 3+5=8 and
so on. The poetry sequence therefore consists of lines of 1, 1, 2, 3, 5, 8, and
so on with each number representing the number of syllables or words that a
writer places in each line of the poem. As a literary device, it is used as a
formatted pattern in which one can offer meaning in any organized way,
providing the number sequence remains the constancy of the form.
The subject of the Fibonacci poem has no
restriction, but the difference between a good fib and a great fib is the
poetic element that speaks to the reader. No longer just a fun form to write as
a math student, the poets who write Fibonacci poems have replaced the ‘geek’
with the poet."
Here's the format:
For a 6-line poem:
1
syllable or word for first line
1 syllable
or word for second line
2 syllables
or words for third
3
syllables or words for fourth
5
syllables or words for fifth
8
syllables or words for sixth
Note: A Fib poem doesn't have to stop as above but may continue the sequence as far as the poet wishes to take it. 1, 1, 2, 3, 5, 8 ...
An example (one that I wrote, published
in Fib Review, Issue #3)
Still
there,
through the
frame of a
broken window—the
torn lace curtains flutter like wings.
Bear in mind that Fibonacci
poems go beyond mere number sequencing and should incorporate poetic language,
heart, and spirit. It isn’t enough to just adhere to the syllable or word
number sequence. In other words, you don’t just drop a so-what poem into a
numbered frame. Instead, you create a real poem that appears in Fibonacci form.
At first, I found myself comparing Fib poems to haiku. Mary-Jane Grandinetti offered the following in response:
"Several Wiki sites have called
the Fib the Haiku's "cousin". People who are unfamiliar with formal
poetry don't realize how many other poetry forms require a specific syllable
count. I've been holding workshops
every Tuesday night for the past 7 years on short poetry forms and there are
hundreds of forms that count syllables. I believe it is an injustice to haiku
to continue the "myth" that haiku is all about 17 syllables of 5-7-5,
so I try to make a point of debunking the supposed relationship of the Fib to
haiku.
I don't believe that a Fib needs
to focus on a single moment of experience. In any short poetry form that would be the most important
part of the poem - capturing a specific moment, thought, idea. But having given our Fib poets the
freedom to experiment with the form, many have written substantially longer
poems with line lengths of over 55 syllables, or with multiple stanzas.
Ms. Grandinetti also offered us the following suggestions (for which many thanks):
- Sentence versus Poetry—shouldn’t be a sentence divided
in 20 syllables/words. This is
especially true in word count Fibs.
People just split a standard poem by words, and use enjambment just to
make the poem fit. Poetic - this is poetry isn’t it?
It should be a poem, poetic, each line doesn’t have to be a sequence of the one
before it but the natural break at the end of each line should work to the
advantage of the poem
- No Cheater words—words like a, the, very, unnecessary
adjectives are not the best choice for those one syllable words, and no fair
using “very, very, very” to make up the 8 syllable line. Rethink what you want to say and use
different words that do fit.
- First two lines should set the
tone—these two words should show what
the poem is about. The first 2 words are always the most difficult. And if you
use the reversed or diamond shaped form the last 2 words are equally difficult
and the most important. This is
where most poets fail - they can't find a way to end the poem.
- Last line —the juxtaposition, punchline,
point of the poem - just like with any other poem.
Guidelines:
1. Fib poems may include figures of speech, so don’t
shy away from similes and metaphors.
2. Remember that you may use the
Fib number sequence through syllable count or word count. You choose whichever works best for you.
4. You might like to try a Fibonacci sequence—that is, a series of Fib poems that link to one another or,
in some way, relate to each other. Don’t be afraid to experiment.
5. Of course, you may begin with
a Fib poem and veer off into something else. Let your poem take you where it
wants to go!
Tips:
1. Keep your poem accessible and
engaging.
2. Use fresh language
3. Avoid abstractions and
clichés.
4. Avoid “preachiness.” Poetry
that instructs on some level is fine, but don’t annoy your readers with
something you feel compelled to "teach" them.
5. Craft counts—always—no matter
what form of poetry you’re writing, pay attention to technique.
6. Working with a form is a good
way to practice discipline in your writing. It can also be fun, so enjoy
writing your Fib poems.
7. If you'd like to read more about Fibonacci poems, here's the link to an article on Gregory Pincus's blog that you'll find helpful:
Examples:
