Back in 2010 (Prompt #21), we
worked with music and poetry. Because music and poetry have been called
“fraternal twins,” I thought this week might be a good time to revisit music as
our “muse” – this time with a slightly different slant and a focus on lyric
poetry.
Music and poetry are known to have
been combined since ancient times in Greece where dramatists and
poets composed music to complement their works. The form of poetry best
associated with music is lyric poetry, defined by Britannica online as, “a verse or poem that is, or supposedly is,
susceptible of being sung to the accompaniment of a musical instrument (in ancient
times, usually a lyre) or that expresses intense personal emotion in a manner
suggestive of a song. Lyric poetry expresses the thoughts and feelings of the
poet and is sometimes contrasted with narrative poetry and verse drama, which relate
events in the form of a story. Elegies, odes, and sonnets are all important
kinds of lyric poetry.”
William Shakespeare wrote 160 songs for
use in his plays (intended for drum, flute, and lute accompaniment). Later,
lyric poetry was popularized by the romantic poets (Byron, Shelley, Keats,
Wordsworth, and others). By the 20th century, lyric poetry was
predominantly rhymed and based in emotional and personal feelings. Lyricism was
challenged by modernist poets (including Ezra Pound, T. S. Eliot, and William
Carlos Williams) who promoted complex thought over melodic language. After
World War II, a renaissance of interest in lyric poetry was felt – this adopted
traditional lyricism with a personal component. Later in the century, the
confessional poets (including Sylvia Plath and Anne Sexton) introduced a form
of “tell-all” lyric poetry that dealt with relationships, intimacy, and both
domestic and personal life. Today contemporary poets embrace lyricism in a
range of individual styles.
Suggestions for Writing:
1. Write a poem based on the music in this YouTube musical selection Hans Zimmer – Light. Close your eyes or
view the pictures, sit back, and let the music “speak” to you. Then, listen
again, and this time jot down ideas, words, phrases, and images that occur to
you while listening. Use these to compose your poem.
2. Write a poem in which you reference
music, a particular style of music, musical instruments, specific musicians, or
the love of sound.
3. You might want to try taking a
different piece of music (not the sample above) and writing your own words to
it. Alternatively, you might write a lyric poem first and then set it to music.
In either case, choose a musical work that you especially like or are drawn to
and match your words to its rhythms. Be flexible and let the music and words
work together.
4. Song lyrics are a kind of
poetry, and ballads have long been associated with music, often being sung.
When words are added to music, a story emerges. Although ballads are considered narrative poems, they have a strong musical quality. Try writing a ballad. (Be aware of the
poem’s “music” and the ballad refrain).
6. The language of music is
understood by all cultures. Write a poem about the music of your national
heritage. How is the music of this country different from others?
Note: Whichever suggestion works for you
this week, be sure to pay particular attention to the sound quality in your
poem (alliteration, assonance, internal or external rhyme).
Poems About Music
REALLY nice, Adele! I like the idea of music and poetry "holding hands."
ReplyDeleteJamie
Thanks, Jamie! What do you think of the Zimmer music?
DeleteA perfect mix of music and words in this old (1971) song:
DeleteP.F.M. Impressioni di settembre
Mogol - Pagani - Mussida
(1971)
Quante gocce di rugiada intorno a me
cerco il sole, ma non c'è.
Dorme ancora la campagna, forse no,
è sveglia, mi guarda, non so.
Già l'odor di terra, odor di grano
sale adagio verso me,
e la vita nel mio petto batte piano,
respiro la nebbia, penso a te.
Quanto verde tutto intorno, e ancor più in là
sembra quasi un mare d'erba,
e leggero il mio pensiero vola e va
ho quasi paura che si perda...
Un cavallo tende il collo verso il prato
resta fermo come me.
Faccio un passo, lui mi vede, è già fuggito
respiro la nebbia, penso a te.
No, cosa sono adesso non lo so,
sono un uomo, un uomo in cerca di se stesso.
No, cosa sono adesso non lo so,
sono solo, solo il suono del mio passo.
e intanto il sole tra la nebbia filtra già
il giorno come sempre sarà.
On the video there are english subtitles ( translation is not mine)
http://youtu.be/htuMpoZ1J94
Jago/Ales - Thank you so much for sharing this! "Visions of September" (Impressioni di settembre) - beautiful, beautiful music and lyrics! The Italian language is so musical to being with, and the subtitles help with understanding the words.
DeleteI like the music you chose for this prompt. I also like "Visions of September" posted by Jago. You're right about the Italian language - it's very musical as I remember from the months I lived and worked there. Thanks for another great prompt!
ReplyDeleteGrazie mille, Bob!
DeleteMy first attempt writing lyrics.
ReplyDeletehttp://mywordsarealive.wordpress.com/2012/06/11/destinys-vision/
Not my best work ever, but this was a really fun exercise.
Hi Tanya! Thanks so much for posting the link to your wonderful lyrics. First attempt! I think you did a great job! Thanks again for sharing with us!
DeleteHi Adele,
ReplyDeleteI've been extremely busy and only now catching up on your blog posts. As always, amazing material for writing and pondering.
Congrats to you on the International Book Award. I was able to purchase What Matters here in Ireland from a seller in DUblin. It's a skillfully written and tremendously powerful collection! Go maire tú an lá!
Máire Ó Cathail (Ireland)
Thanks so much, Maire! It's always good to hear from you. Thanks for your congrats and for your kind words on What Matters!
ReplyDeleteIf all sounds were pleasant
ReplyDeleteI would be more comfortable
The AC and frig sing duets all day!
In momentary lapses of quiet
I breath deeply
sighing into the silence.
His recorded message
rings in my ears
solidifying him in my imagination.
Notes of left-over time
leave trails of unfinished phrases
as I wait in the
rhythm of life
caressed
only by his energy.
If only all sounds were pleasant! Thanks, Risa, for posting and sharing your poem!
Delete(I know that AC and refrigerator duet!)
Nice, Risa! Again, your cut-to-the chase, direct style. Thanks for sharing!
DeleteWhere is Russ Loar - haven't heard form him in a while? And Jago, too. I always enjoy their comments.
Jamie
You inspire me, Adele. I must have said that before, but it is worth repeating.
ReplyDeleteThanks, Risa! I think all of us involved in the arts should try to inspire one another!
Delete