My dear friend and fellow poet, Gail Fishman Gerwin,
prepared this prompt on the Fibonacci for us,
prepared this prompt on the Fibonacci for us,
and I'm pleased to share it with you this week—with many thanks to Gail.
Write a
Narrative Fibonacci
Several years ago, I was fortunate to receive an
invitation to read at the Barron Arts Center’s PoetsWednesday in Woodbridge,
NJ. The series offers workshops prior to the features and open readings.
Luckily, that evening renowned poet Joe Weil facilitated a lesson on how to
write a Fibonacci, a poetic form named for 13th century
mathematician Leonardo Pisano, later known as Fibonacci. That night’s workshop
dealt with one form of Fibonacci. The formula:
First line – one
syllable or word
Second line – one
syllable or word (0 +1, sum of previous two lines)
Third line – two
syllables or words (1+1, same pattern)
Fourth line – three
syllables or words (1+2)
Fifth line – five
syllables or words (2+3)
Sixth line – eight
syllables or words (3+5)
Seventh line – thirteen
syllables or words (5+8)
Then reverse:
Eighth line – eight
syllables or words
Ninth line – five
syllables or words
Tenth line – three
syllables or words
Eleventh line –
two syllables or words
Twelfth line – one
syllable or word
Thirteenth line – one syllable or word
The finished product: an interesting-looking narrative.
I preferred the word count to the syllable count. I
chose a television show of my youth, starring Milton Berle, a comedian; it was
live television in black and white. Families would gather in some lucky
person’s living room at 8 p.m. on Tuesday nights (not everyone owned even a
single TV) to watch.
Many early television sets were made by a company
named Dumont. The screens were small but the laughs were large. Some skits were
extremely silly, like when Milton called “make-up,” someone would come out and
smack him in the face with a big powder puff and he always acted surprised. You
can see an example of this on an old Donny and Marie YouTube (http://www.youtube.com/watch?v=dT4m2D_Aan8)
at about minute 3:07 (+/-).
When I received Joe’s prompt to compose a Fibonacci
with the above formula about something in my past, I thought of Uncle Miltie,
as he was called with affection. One feature of the show involved an ad for the
Texaco gas company, where service-station attendants sang a jingle that began
“We are the men of Texaco, we work from Maine to Mexico . . . Everyone watching
knew this song and could sing along. Hence the mention of Texaco men in the
poem below. I like to put dialogue in italics, not quotation marks.
Slapstick Fibonacci
Uncle
Miltie,
Tuesday nights.
Whack! Maaaaaaaakeup. Hilarity.
Dust flies on the set.
Oh no, who turned the sound way down?
Fix it Daddy. I can't. Just go to bed, there's always next week.
There it goes, Ben, it's on
again. Whew.
Can I stay up, Mommy,
‘til Texaco men?
Why not?
Dumont
Works.
After that summer evening, when Joe introduced me to
the form, everyone in my family received Fibs as birthday poems. Muse-Pie
Press’s The Fib Review, an online
literary journal edited by Mary-Jane Grandinetti, published that one and another I wrote about my obsession with
the style.
Check out The
Fib Review’s current issue and archives.
- Explore the variety of Fibonacci styles.
- They don’t always follow the 1-1-2-3-5-8-13-8-5-3-2-1-1 format (my personal comfort zone).
- They’re not all narrative. Some may take on the image of what the words describe.
- See if you can figure out which formulas the poets used.
- Was there more than a single stanza? If so, did they take the same shape?
- Then write a Fibonacci of your own and think about posting it in a comment on this blog.
Happy
Fibbing.
__________________________________________________________
Many thanks, Gail!